METEYARD - On April 4 1947 at Malt House, Cookhill, Alcester, Sidney Harold Meteyard, devoted husband of the late Kate Muriel (nee Eadie) in his 80th year. Service at St Paul's Church, Cookhill, on Friday April 11th at 1.45. Interment Broadwood End Cemetery, Birmingham 2.30. Flowers to Bach and Barker, Old Square, Birmingham, not later than 12.00 noon.
r Sidney Harold Meteyard, Honorary Secretary of the Royal Birmingham Society of Artists, and formerly for 45 years a member of the teaching staff of the Birmingham Central School of Arts and Crafts died on Good Friday at Malt House Farm, Cookhill near Alcester.
An outstanding service Mr Meteyard rendered to Birmingham was to introduce the late Alderman S Grey, then Lord Mayor, to the late Mr Howard Paget who had intimated to Mr Meteyard-while the latter was working at Elford Curch-his desire to give Elford Hall to Birmingham.
Mr Meteyard was a distinguished craftsman and teacher. He chiefly taught design and life drawing. He designed many war memorials. He executed the Roll of Honour, now in the Hall of Memory, of those from Birmingham who made the ultimate sacrifice in the 1914-1918 war. He did a similar work, now in St Paul's Cathedral for the Royal Engineers. He also executed the Memorial Tablet now in Lichfield Cathedral. He designed stained glass windows for many churches. The panels that were formerly on each side of the organ in the Town Hall, and are now in the Historical Museum of Canon Hill Park, were also his work.
Mr Meteyard was a student of the late Edward R Taylor, during whose reign the Birmingham School of Art rose to a position of eminence, notably on the craft side. He also studied with the late Mr E S Harper, and the late Mr J V Jelley at the Central School.
Many tributes have been paid to Mr Meteyard's ability as a teacher, but they were not fewer than the acknowledgements of his kindness and courtesy to many students. In recent years he suffered a great disability through failing eyesight; he had been almost blind for the last year. Mrs Meteyard died a year or so ago. She was a former art-pupil of her husband, and afterwards they worked together, especially on stained glass windows.
It is rather surprising to see what little mention this obituary makes of Meteyard the painter in oil and watercolour, but it is fairly easily explained. He was a painter who, unhappily for him was born too late. Artistically he was heavily influenced by Burne-Jones. But he was born over thirty years after the great man, and as he reached his artistic prime his work would have been regarded with a mixture of condescension and contempt. As a result of this Meteyard had little choice but to make his living by teaching, book illustration, and the design of stained-glass windows.
This is very sad when one realises just how competent a painter he was, and, that he produced at least one masterpiece. That masterpiece was I am Half-Sick of Shadows of 1913. This picture is richly coloured- sumptuous is a description used frequently when describing it. I have often seen this work at Birmingham Museum and Art Gallery, where it has been on loan for some considerable time. The sitter for the Lady was the artist's wife Kate. By the time the painting was completed in 1913, it would already have been regarded as an anachronism by the art establishment, as I mention above. It looks back to works on the same subject by Holman-Hunt and Waterhouse, quoting them as it were in the use of the mirror, but in the unusual pose of the model, the vivid colours, the flowers in the foreground, and the intricate embroidery the painter puts his own stamp on the work. And to produce a masterpiece, provide guidance and sympathy to his students, and to lead a thoroughly worthwhile life is more than most human beings achieve.
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