Nymphs and Satyr, by William Bouguereau (Detail)
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William Holman
Hunt
English Pre-Raphaelite artist

born 1827 - died 1910
Friend of:
John Everett Millais (1829-1896), Dante Gabriel Rossetti (1828-1882).

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William Holman Hunt
William Holman Hunt
Image courtesy of Don Kurtz
  Biographical Information

William Holman Hunt
by Paul Ripley

Hunt, a founder of the Pre-Raphaelite Brotherhood was born in London, the son of a warehouse manager. Throughout his life he was a devout Christian. He was also serious minded, & lacking in a sense of humour. Hunt joined the Royal Academy Schools in 1844, where he met Millais & Rossetti, &, in fact brought them together. In 1854 Hunt decided to visit the Holy Land, to see for himself the genuine background for the religious pictures he intended to paint. The first tangible results of this journey were two paintings, “The Scapegoat,’ & ( ‘ The Finding of the Saviour in the Temple,’ which was exhibited nationally to great acclaim in 1860, & sold for the sum of 5,500 guineas, Hunt was advised on the price by Charles Dickens.) This sale, which included the copyright established the painter both financially, & artisticly. Hunt’s famous picture ‘The Light of the World,’ was one of the greatest Christian images of the 19th & early 20th centuries. Hunt worked at night on this picture, in an unheated shelter in a wood near Ewell in Surrey.

Hunt did not have the natural talent of Millais, or the intellect & vision of Rossetti. He made up for this by sheer hard work & commitment. He could have been a very successful portrait painter had he chosen to be so. In later years, as his sight started to fail, perhaps, his colours became increasingly harsh. He was still capable of great things, however, as shown by his wonderful late picture ‘The Lady of Shallott, surely one of the most powerful Pre-Raphaelite images.

In his last years Hunt became the patriach of Victorian painting. He was awarded the Order of Merit by King Edward VII in 1905. Hunt married firstly Fanny Waugh, & after her death in childbirth her younger sister Edith. He was also a far more attractive personality than is generally supposed, with a wide range of interests, which included horse racing & boxing. He died in 1910.

Source: Victorian Art in Britain.


More Images of the Artist
Artist Letters
click to enlarge

The Lady of Shalott

1889 - 1892
Oil on canvas
Manchester City Art Galleries, Manchester, UK
Added 1/3/2002


The Lady of Shalott
 
May Morning on Magdalen Tower, Oxford

1888 - 1893
Oil on canvas
15 1/4 x 19 1/8 inches (38.8 x 48.8 cm)
Birmingham Museums and Art Gallery, Birmingham, UK
Added 3/11/2003

May Morning on Magdalen Tower, Oxford
Download: HI-RES image
 
Shadow of Death

1870 - 1873
Oil on canvas
36 3/8 x 28 5/8 inches (92.7 x 73 cm)
Manchester City Art Galleries, Manchester, UK
Added 1/3/2002

Shadow of Death
 
Isabella and the Pot of Basil

1867
Oil on canvas
Laing Art Gallery, Newcastle upon Tyne, England
Added 1/3/2002

Isabella and the Pot of Basil
 
Il Dolce Far Niente

1866
Oil on canvas
Forbes Magazine Collection, New York, New York, USA
Added 1/3/2002

Il Dolce Far Niente
 
The Lantern Maker's Courtship

1854
Oil on canvas
Private collection
Added 1/3/2002

The Lantern Maker's Courtship
 
The Awakening Conscience

1853
Oil on canvas
Tate Gallery, London, England
Added 1/3/2002

The Awakening Conscience
 
A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids

1850
Oil on canvas
Private collection
Added 1/3/2002

A Converted British Family Sheltering a Christian Missionary from the Persecution of the Druids
 
The Importunate Neighbour

1895
Oil on canvas
Victoria National Gallery, Melbourne, Victoria, Australia
Added 8/30/2004

The Importunate Neighbour
 
Dante Gabriel Rossetti

1882 - 1883
Oil on wood
11 7/8 x 9 inches (30.2 x 22.9 cm)
Birmingham Museums and Art Gallery, Birmingham, UK
Signed and dated, lower right: 18 Whh 53
Added 3/11/2003

Provenance: The artist, and by descent to Mrs Elizabeth Burt, from whom purchased.
Dante Gabriel Rossetti
Download: HI-RES image
 






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