Order your ARC 2012-2013 Salon Catalogue

Click here to become a sponsor

   
Nymphs and Satyr, by William Bouguereau (Detail)
click to learn more click to learn more click to learn more
click to learn more click to learn more click to learn more
click to see upcoming exhibition information Click to visit the Living Masters Gallery Click to see the winners of the 2013-2014 ARC Salon click to see the winners of the 2014 ARC Scholarship

Categories
  • [1 post]
  • Academia and Modernism [26 posts]
  • Advice to Artists [16 posts]
  • Aesthetics [55 posts]
  • ARC Living Master, Artist, and Sponsor Testimonials [11 posts]
  • ARC Scholarship Thank You Letters [4 posts]
  • Architecture [1 post]
  • Art and Politics [13 posts]
  • Art as a Profession [1 post]
  • Art Criticism [9 posts]
  • Art History Anecdotes [5 posts]
  • Art History Timeline [3 posts]
  • Art Practice [9 posts]
  • Art's Place in Society [27 posts]
  • Artspeak 101 [6 posts]
  • Ateliers [10 posts]
  • Book Reviews [1 post]
  • Canvas Priming or Preparation [1 post]
  • College Activism: Return to Realism [52 posts]
  • College Curricula [9 posts]
  • Commentary on Specific Artists [33 posts]
  • Definitions of Art [8 posts]
  • Digital Art [20 posts]
  • Discussion: William Bouguereau [3 posts]
  • Exhibitions [5 posts]
  • Fine Art and Photography [5 posts]
  • Freedom of Expression [6 posts]
  • Frequently Asked Questions [30 posts]
  • Funding for the Arts [1 post]
  • Good Art Versus Traditionalism [1 post]
  • Hockney Completely Refuted [53 posts]
  • Illustration as a Fine Art [27 posts]
  • Impressionism vs Academism [5 posts]
  • Juries and Competitions [1 post]
  • Letters to ARC [468 posts]
  • Life of an Artist [7 posts]
  • Modernist Heroes Reconsidered [62 posts]
  • Modernist Orthodoxy on Campus [4 posts]
  • Moral Relativism [1 post]
  • Music and Art [2 posts]
  • Myth & Religion in Art [7 posts]
  • Nudity [1 post]
  • Paint Pigments [8 posts]
  • Perspective [2 posts]
  • Picasso: Discussion by experts [14 posts]
  • Places to See [1 post]
  • Post of the Week [2 posts]
  • Realism on the Rise [2 posts]
  • Regarding GoodArt and ARC [10 posts]
  • Renaissance Art [1 post]
  • Responses to ARC [4 posts]
  • Scholarship [1 post]
  • Sculpture [1 post]
  • Setting up the Studio [6 posts]
  • Students at non-ARC Approved schools [1 post]
  • Technical questions discussed and answered [6 posts]
  • Techniques: Art Manuals [1 post]
  • Techniques: Draughtsmanship [33 posts]
  • Techniques: Oil Painting [80 posts]
  • Techniques: Sculpture [2 posts]
  • The Case of Pete Panse [4 posts]
  • The Marketplace [19 posts]
  • The Origins of Modernism [6 posts]
  • What is Art? [24 posts]


  • Friends, roaming countrymen

    by ARC Staff

    I think some of us have differing points of view of the whole art field. Virgil and I, for example, have seen the popular and successful realism shows out West for years. I was displaying bronzes in Trailsides Gallery in 1979. The owner told me he did a million dollars in the first quarter. I've seen serious money and love of realistic art for many years.

    Real art has real friends. I agree that we need to connect with this enormous, existing support base. Has anyone here seen the Western Heritage Center in OKCity? How about the Autry Museum? (Brian this is now or soon - you should check it out!) The Wildlife Museum in Jackson Wyoming? The Gilcrease Museum? The Art Institute in Kansas City? The CM Russell Museum in Great Falls? The Fenn or Gerald Peters Gallery in Sante Fe? We are not embracing our friends to full effect.

    These above are paying $3,000,000 commissions for great realism, have built brand new gorgeous museums devoted to only realism, sell $600,000 worth of art at one show, bring in millions of dollars to local coffers from these shows.

    One of my galleries is in discussion right now with one of the top museums in the nation about doing a show for me. There exist many MANY likeminded friends of ARC. Let's join forces. There is strength in numbers.