Order your ARC 2012-2013 Salon Catalogue

Click here to become a sponsor

   
Nymphs and Satyr, by William Bouguereau (Detail)
click to learn more click to learn more click to learn more
click to learn more click to learn more click to learn more
click to see upcoming exhibition information Click to visit the Living Masters Gallery Click to see the winners of the 2011-2012 ARC Salon click to see the winners of the 2012 ARC Scholarship

Categories
  • [1 post]
  • Academia and Modernism [26 posts]
  • Advice to Artists [16 posts]
  • Aesthetics [55 posts]
  • ARC Living Master Gallery Testimonials [6 posts]
  • Architecture [1 post]
  • Art and Politics [13 posts]
  • Art as a Profession [1 post]
  • Art Criticism [9 posts]
  • Art History Anecdotes [5 posts]
  • Art History Timeline [3 posts]
  • Art Practice [9 posts]
  • Art's Place in Society [27 posts]
  • Artspeak 101 [6 posts]
  • Ateliers [10 posts]
  • Bad Philosophy [1 post]
  • Book Reviews [1 post]
  • Canvas Priming or Preparation [1 post]
  • College Activism: Return to Realism [52 posts]
  • College Curricula [9 posts]
  • Commentary on Specific Artists [33 posts]
  • Definitions of Art [8 posts]
  • Digital Art [20 posts]
  • Discussion: William Bouguereau [3 posts]
  • Exhibitions [5 posts]
  • Fine Art and Photography [4 posts]
  • Freedom of Expression [6 posts]
  • Frequently Asked Questions [30 posts]
  • Funding for the Arts [1 post]
  • Good Art Versus Traditionalism [1 post]
  • Hockney Completely Refuted [53 posts]
  • Illustration as a Fine Art [27 posts]
  • Impressionism vs Academism [5 posts]
  • Juries and Competitions [1 post]
  • Letters to ARC [458 posts]
  • Life of an Artist [7 posts]
  • Modernist Heroes Reconsidered [62 posts]
  • Modernist Orthodoxy on Campus [4 posts]
  • Moral Relativism [1 post]
  • Music and Art [1 post]
  • Myth & Religion in Art [7 posts]
  • Nudity [1 post]
  • Paint Pigments [8 posts]
  • Perspective [2 posts]
  • Picasso: Discussion by experts [14 posts]
  • Places to See [1 post]
  • Post of the Week [2 posts]
  • Realism on the Rise [2 posts]
  • Regarding GoodArt and ARC [10 posts]
  • Renaissance Art [1 post]
  • Responses to ARC [4 posts]
  • Scholarship [1 post]
  • Sculpture [1 post]
  • Setting up the Studio [6 posts]
  • Students at non-ARC Approved schools [1 post]
  • Technical questions discussed and answered [6 posts]
  • Techniques: Art Manuals [1 post]
  • Techniques: Draughtsmanship [33 posts]
  • Techniques: Oil Painting [80 posts]
  • Techniques: Sculpture [2 posts]
  • The Case of Pete Panse [4 posts]
  • The Marketplace [19 posts]
  • The Origins of Modernism [6 posts]
  • What is Art? [24 posts]


  • Artists's writing

    by Raymond Wood

    I wonder what this group thinks about the scarcity of artists today who write ably about their art. I'm not referring to "how to" books (I know Virgil is preparing what I assume will be a much needed tome concerning painting procedures) but rather I refer to books or essays concerning art and all its corollary subjects.

    I have recently read works by Birge Harrison (Landscape Painting), Kenyon Cox (The Classic Point of View; Concerning Painting), Edwin Blashfield (Mural Painting in America) and Ives Gammell (Dennis Miller Bunker; Twilight of Painting). These men wrote brilliantly concerning their art, concerning the importance of culture, concerning very specific aspects of what makes great art, and other subjects dealing with painting from a professional's practitioner's point of view. I have read Kirk Richards and Stephen Gjertson's book concerning art from a Christian point of view (For Glory and For Beauty: Practical Perspectives on Christianity and the Visual Arts). They delve into many subjects concerning what constitutes great art, not at all limited to Christianity. Apart from that I know of very few living artists who have written philosophically about their art.

    Several artists have written books about their own art such as Morgan Weistling, Burt Silverman, Richard Schmid, Anthony Ryder, etc., but even these deal more with "why or how I did this or that," or "what makes me tick" and not with the larger issues concerning "Art."

    Do you know of any other books of this kind out there, or am I correct that this practice seems to be a dying "art?" It seems like most books of the kind I mean are written by historians or "experts," not practicing professionals and therefore, not as interesting to me.

    RW