In this pyramidal arrangement, the circle of life is evident. There is no life without death and vice-versa. For me, the beauty of this piece resides in the imagination of the viewer.
This was the first still life I completed at the Angel Academy of Art in Florence. It is the first fully finished painting I ever made with a full-color palette.
To make this composition I used an African knife my mother brought me from one of her trips to Egypt. It is a piece of sharpened and rusty iron attached to the horn of an antelope. I also used a real fox scarf I bought in Madrid in a small antique store. The owner of the store had two pelts at a very affordable price, but I chose the one that had both eyes and the tail. He told me it was a female fox, hence the name of the painting. I got the roses in Florence, and the little skull is a rabbit I bought at the supermarket. I cleaned the rabbit skull at home, and my girlfriend made a delicious rabbit soup with the rest of the body, which we ate before I started the painting.
Whenever I look at this painting, sometimes I see a real fox resting on a rock and sometimes it is the pelt I bought in Madrid. Strangely enough, the fox is alive and thinking about her next meal in both cases.
In this pyramidal arrangement, the circle of life is evident. There is no life without death and vice-versa. For me, the beauty of this piece resides in the imagination of the viewer.
This was the first still life I completed at the Angel Academy of Art in Florence. It is the first fully finished painting I ever made with a full-color palette.
To make this composition I used an African knife my mother brought me from one of her trips to Egypt. It is a piece of sharpened and rusty iron attached to the horn of an antelope. I also used a real fox scarf I bought in Madrid in a small antique store. The owner of the store had two pelts at a very affordable price, but I chose the one that had both eyes and the tail. He told me it was a female fox, hence the name of the painting. I got the roses in Florence, and the little skull is a rabbit I bought at the supermarket. I cleaned the rabbit skull at home, and my girlfriend made a delicious rabbit soup with the rest of the body, which we ate before I started the painting.
Whenever I look at this painting, sometimes I see a real fox resting on a rock and sometimes it is the pelt I bought in Madrid. Strangely enough, the fox is alive and thinking about her next meal in both cases.