Alain Amar

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Alain Amar

ARC Living Artist TM

French 21st Century Realist

  • Artworks
  • Biography

Mediterranean Dreamlike Nonchalance

2004

Oil on canvas

46 x 65 cms | 18 x 25 1/2 ins

Immersion of the Painter in His Own Artwork

2006

Oil on canvas

50 x 61 cms | 19 1/2 x 24 ins

White Mediterranean Morning

2007

Oil on canvas

54 x 45 cms | 21 1/4 x 17 1/2 ins

Resurrection of Russia

2008

Oil on wood panel

57 x 43 cms | 22 1/4 x 16 3/4 ins

The Bark of the Passage

2008-2014

Oil on canvas

81 x 60 cms | 31 3/4 x 23 1/2 ins

You Will See Your Face in the Heavens

2008-2010

Oil on wood panel

48 x 44 cms | 18 3/4 x 17 1/4 ins

Florentine Rock at the Dawn of His New Birth

2009

Oil on wood panel

38 x 46 cms | 14 3/4 x 18 ins

Narcissus, Slave of His Reflection

2009

Oil on wood panel

52 x 39 cms | 20 1/4 x 15 1/4 ins

Waiting and Expecting

2009

Oil on wood panel

33 x 45 cms | 12 3/4 x 17 1/2 ins

Ame Miroir

Soul Mirror

2010

Oil on wood panel

50 x 40 cms | 19 1/2 x 15 1/2 ins

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Mode

French-Italian Artist born at 7:21am, the last day of the spring, four hundred years after the death of Le Pontormo, survivor of Quattrocento, dead at 21:37pm at an unknown age. Painter of the new coming "Renaissance" of the art of the XXI century.

After being an engineer, composer, organist, film-maker, and film-producer, he began to paint in 1991. His first painting, historical epic about the fall of the Berlin Wall, was in Berlin Museum.

He has had exhibitions in: Paris, Rome, Barcelona, Valencia, Berlin, Luxembourg, Lyon, Cannes, Deauville, and CadaquƩs.

A dreamlike and spiritual artist, he has a sincere and idealistic desire to offer through his artworks: peace, serenity, joy, dreams, passion, poetry, love of beauty, balance and harmony. He studied the art of painting according to the spirit and techniques of the Renaissance. Painting in different layers of colors, each coat is left to dry before the next is added, leaving the artist-monk long intervals to spend in meditation.

Supportive of absolute art and not relativist, he considers that art should be a continual enjoyment and the work of art a delight for the spectator. He tries as far as possible to die every night, to then get the enjoyment of being reborn every morning.