Jean Hippolyte Flandrin

{"Id":160,"Name":"Jean Hippolyte Flandrin","Biography":"\u003Cb\u003EFLANDRIN, JEAN HIPPOLYTE (1809-1864)\u003C/b\u003E, French painter, was born at Lyons in 1809. His father, though brought up to business, had great fondness for art, and sought himself to follow an artist\u0027s career. Lack of early training, however, disabled him for success, and he was obliged to take up the precarious occupation of a miniature painter. Hippolyte was the second of three sons, all painters, and two of them eminent, the third son \u003Ca href=\u0022/asp/database/art.asp?aid=2658\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EPaul\u003C/a\u003E (b. 1811) ranking as one of the leaders of the modern landscape school of France. Augusto (1804-1842), the eldest, passed the greater part of his life as professor at Lyons, where he died. After studying for some time at Lyons, Hippolyte and Paul, who had long determined on the step and economized for it, set out to walk to Paris in 1829, to place themselves under the tuition of \u003Ca href=\u0022/asp/database/art.asp?aid=2412\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EHersent\u003C/a\u003E. They chose finally to enter the atelier of \u003Ca href=\u0022/asp/database/art.asp?aid=31\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EIngres\u003C/a\u003E, who became not only their instructor but their friend for life. At first considerably hampered by poverty, Hippolyte\u0027s difficulties were for ever removed by his taking, in 1832, the Grand Prix de Rome, awarded for his picture of the \u003Cu\u003ERecognition of Theseus by his Father\u003C/u\u003E. This allowed him to study five years at Rome, whence he sent home several pictures which considerably raised his fame. \u003Cu\u003ESt Clair healing the Blind\u003C/u\u003E was done for the cathedral of Nantes, and years after, at the exhibition of 1855, brought him a medal of the first class. \u003Cu\u003EJesus and the Little Children\u003C/u\u003E was given by the government to the town of Lisieux. \u003Cu\u003EDante and Virgil visiting the Envious Men struck with Blindness\u003C/u\u003E, and \u003Cu\u003EEuripides writing his Tragedies\u003C/u\u003E, belong to the museum at Lyons. Returning to Paris through Lyons in 1838 he soon received a commission to ornament the chapel of St John in the church of St Severin at Paris, and reputation increased and employment continued abundant for the rest of his life. Besides the pictures mentioned above, and others of a similar kind, he painted a great number of portraits. The works, however, upon whin his fame most surely rests are his monumental decorative paintings. Of these the principal are those executed in the following churches: in the sanctuary of St Germain des Pres at Paris (1842-1844), in the choir of the same church (1846-1848), in the church of St Paul at Nismes (1848-1849), of St Vincent de Paul at Paris (1850-1854), in the church of Ainay at Lyons (1855), in the nave of St Germain des Pres (1855-1861). In 1856 Hippolyte Flandrin was elected to the Academie des Beaux-Arts. In 1863 his failing health, rendered worse by incessant toil and exposure to the damp and draughts of churches, induced him again to visit Italy. He died of smallpox at Rome on the 21st of March 1864. As might naturally be expected in one who looked upon painting as but the vehicle for the expression of spiritual sentiment, he had perhaps too little pride in the technical qualities of his art. There is shown in his works much of that austerity and coldness, expressed in form and colour, which springs from a faith which feels itself in opposition to the tendencies of surrounding life. He has been compared to \u003Ca href=\u0022/asp/database/art.asp?aid=241\u0022 target=\u0022_blank\u0022 class=\u0022link\u0022\u003EFra Angelico\u003C/a\u003E; but the faces of his long processions of saints and martyrs seem to express rather the austerity of souls convicted of sin than the joy and purity of never-corrupted life which shines from the work of the early master.\u003Cbr\u003E\u003Cbr\u003ESee Delaborde, \u003Cu\u003ELeitres et pensies de H. Flandrin\u003C/u\u003E (Paris, 1865) Beul, Notice historique sur H. F. (1869).\u003Cbr\u003E\u003Cbr\u003E\u003Cstrong\u003E\u003Cu\u003ESource:\u003C/u\u003E\u003C/strong\u003E Entry on the artist in the \u003Ca href=\u0022http://31.1911encyclopedia.org/F/FL/FLANDRIN_JEAN_HIPPOLYTE.htm\u0022 target=\u0022_blank\u0022\u003E1911 Edition Encyclopedia\u003C/a\u003E.\u003Cp\u003E","Awards":null,"HasAlbums":false,"HasPortraits":true,"HasRelationships":true,"HasArticles":false,"HasDepictedPlaces":false,"HasLetters":false,"HasLibraryItems":true,"HasProducts":false,"HasSignatures":false,"HasVideos":false,"HasMapLocations":true,"TotalArtworks":23}