Antonio Canova

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Antonio Canova

30 artworks

Italian Neoclassical painter, draftsman, sculptor and architect

Born 11/1/1757 - Died 10/13/1822

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Hercules and Lichas

Marble

335 cms | 131 3/4 ins

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Perseus with the Head of Medusa

1804-1806

Marble

220 cms | 86 1/2 ins

Metropolitan Museum of Art, Manhattan, United States

Credit: Visipix: 500,000+ hi-res image

Maddalena Penitente

1809

Oil on canvas

94 cms | 37 ins

Hermitage, St Petersburg, Russian Federation

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Venus Italica

Marble

Pitti Gallery, Firenze, Italy

Credit: Miles Williams Mathis

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Bust of a Vestal Virgin

Marble

Private collection, ,

Credit: Visipix: 500,000+ hi-res image

Paris

Marble

Hermitage, St Petersburg, Russian Federation

Credit: The Hermitage (<a href=http://

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Portrait of Leopoldo Cicognara

Marble

Private collection, ,

Credit: Visipix: 500,000+ hi-res image

The Genius of Death

Marble

Hermitage, St Petersburg, Russian Federation

Credit: The Hermitage (<a href=http://

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CANOVA, ANTONIO (1757—1822), Italian sculptor, was born on the 1st of November 1757, at Passagno, an obscure village situated amid the recesses of the hills of Asolo, where these form the last undulations of the Venetian Alps, as they subside into the plains of Treviso. At three years of age Canova was deprived of both parents, his father dying and his mother remarrying. Their loss, however, was compensated by the tender solicitude and care of his paternal grandfather and grandmother, the latter of whom lived to experience in her turn the kindest personal attention from her grandson, who, when he had the means, gave her an asylum in his house at Rome. His father and grandfather followed the occupation of stone-cutters or minor statuaries; and it is said that their family had for several ages supplied Passagno with members of that calling. As soon as Canova’s hand could hold a pencil, he was initiated into the principles of drawing by his grandfather Pasino. The latter possessed some knowledge both of drawing and of architecture, designed well, and showed considerable taste in the execution of ornamental warks. He was greatly attached to his art; and upon his young charge he looked as one who was to perpetuate, not only the family name, but also the family profession ...