Robert Caldwell

{"Id":7592,"Name":"Robert Caldwell","Biography":"\u003Cp\u003EBorn in West Chester, Pennsylvania, Robert Caldwell spent his boyhood years in Verplanck, New York, where he learned to love the outdoors. The Boy Scouts were a conduit to nature for Robert and provided him with some of his most memorable adventures, including 50-mile canoe trips in upstate New York and backpacking in Cimarron, New Mexico.\u003C/p\u003E\r\n\u003Cp\u003EAlthough Robert always loved to draw, it was in middle school that he discovered art\u0026rsquo;s magic \u0026mdash; that he could draw an image on paper that looked three-dimensional. By his senior year, he was taking four art classes a day, working solely in graphite and colored pencil. He also oversaw a team of student artists who painted a mural in the cafeteria that he designed, and won several local competitions, including a storyboard contest for a TV commercial about conservation.\u003C/p\u003E\r\n\u003Cp\u003ERobert attended Virginia Commonwealth University in Richmond, where he graduated in 2000 with a B.F.A. in Communication Arts. He won several awards in college from Strathmore Artist Papers\u0026rsquo; and the Society of Illustrators.\u003C/p\u003E\r\n\u003Cp\u003EToday, Robert\u0026rsquo;s passion for art and nature can be seen in his highly detailed, realistic paintings and drawings.\u003C/p\u003E\r\n\u003Cp\u003ERobert draws inspiration from familiar items. He searches for elements that are often overlooked but that provide opportunities for compelling compositions. Working from his Midlothian, Virginia, studio Robert uses photographic references complemented by field studies, from regional wildlife refuges to the African bush, to compose his drawings and paintings.\u0026nbsp;\u0026nbsp;\u003C/p\u003E\r\n\u003Cp\u003E\u0026ldquo;This is where I make the choices that affect the underlying structure of the piece,\u0026rdquo; Robert says. \u0026ldquo;I like the challenge of creating a well-balanced composition \u0026mdash; it\u0026rsquo;s like solving a problem and trying to figure out how all the pieces fit together. Just like a house, it\u0026rsquo;s what\u0026rsquo;s under the surface of the artwork \u0026mdash; what you don\u0026rsquo;t see \u0026mdash; that makes it beautiful. You don\u0026rsquo;t see the load-bearing supports in a million-dollar mansion, but without them, the house would crumble.\u0026rdquo;\u003C/p\u003E\r\n\u003Cp\u003EWhen painting, Robert starts with a detailed drawing and then adds color layer by layer using the drawing as a value guide to create astonishing detail. He employs a similar technique when drawing with graphite. \u0026ldquo;I work in layers, using the hardest grade pencil first and work my way through to the softest grade, slowly building on top of each existing layer. This is what gives my work depth.\u0026rdquo;\u003C/p\u003E\r\n\u003Cp\u003ERobert\u0026rsquo;s work has appeared in numerous national exhibitions, including Birds in Art, Art of the Animal Kingdom and Art and the Animal. In 2009, the Leigh Yawkey Woodson Art Museum in Wausau, Wisconsin \u0026mdash; home to Birds in Art \u0026mdash; purchased Robert\u0026rsquo;s painting \u0026ldquo;Sewanee Barn (Feral Pigeons)\u0026rdquo; for its permanent collection.\u003C/p\u003E\r\n\u003Cp\u003ERobert is represented by Lovetts Gallery in Tulsa, Oklahoma, Horton Fine Art Gallery, Beavercreek, Colorado and Berkley Gallery in Warrenton, Virginia.\u003C/p\u003E","Awards":null,"HasAlbums":false,"HasPortraits":false,"HasRelationships":false,"HasArticles":false,"HasDepictedPlaces":false,"HasLetters":false,"HasLibraryItems":false,"HasProducts":false,"HasSignatures":false,"HasVideos":false,"HasMapLocations":false,"TotalArtworks":22}