Jean-Leon Gerome

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Jean-Leon Gerome

French , Orientalist painter, draftsman and sculptor

Born circa 5/11/1824 - Died circa 1904

Born in Vesoul (Haute-Saône, Franche-Comté, France)

Died in Paris (Departement de Ville de Paris, Ile-de-France, France)

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1872

Oil on canvas

96.5 x 149.2 cms | 37 3/4 x 58 1/2 ins

Phoenix Art Museum, Phoenix, United States

A Sultan at Prayer

Oil on canvas

42 x 33 cms | 16 1/2 x 12 3/4 ins

A view of the Gulf of Aqaba

Oil on canvas, mounted on board

60 x 92 cms | 23 1/2 x 36 ins

After the Bath

Oil on canvas

82.6 x 66.7 cms | 32 1/2 x 26 1/4 ins

Arnaut Drinking

Oil on panel

24 x 17.5 cms | 9 1/4 x 6 3/4 ins

Bust of Madeleine Juliette, the Artist's Daughter

Partially tinted white marble

66 cms | 25 3/4 ins

Caravan Making Camp

Oil on canvas

83.4 x 102.9 cms | 32 3/4 x 40 1/2 ins

Le Triomphe d'Hercule

The Triumph of Hercules

Oil on canvas

24.5 x 18.5 cms | 9 1/2 x 7 1/4 ins

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French painter, was born on the 11th of May 1824 at Vesoul (Haute-SaOne). He went to Paris in 1841 and worked under Paul Delaroche, whom he accompanied to Italy (1844—1845). On his return he exhibited The Cock-fight, which gained him a third-class medal in the Salon of 1847. The Virgin with Christ and St John and Anacreon, Bacchus and Cupid took a second-class medal in 1848. He exhibited Bacchus and Love, Drunk, a Greek Interior and Souvenir d’Italie, in 1851; Paestum (1852); and An Idyll (1853).

In 1854 Gérôme made a journey to Turkey and the shores of the Danube, and in 1857 visited Egypt. To the exhibition of 1855 he contributed a Pifferaro, A Shepherd, A Russian Concert and a large historical canvas, The Age of Augustus and the Birth of Christ. The last was somewhat confused in effect, but in recognition of its consummate ability the State purchased it. Gérôme’s reputation was greatly enhanced at the Salon of 1857 by a collection of works of a more popular kind: the Duel: after a Masquerade, Egyptian Recruits crossing the Desert, Memnon and Sesostris and Camels Watering, the drawing of which was criticized by Edmond About. In Caesar (1859) Gérôme tried to return to a severer class of work, but the picture failed to interest the public. Phryne before the Areopagus, Le Roi Candaule and Socrates finding Alcibiades in the House of Aspasia (1861) gave rise to some scandal by reason of the subjects selected by the painter, and brought down on him the bitter attacks of Paul de Saint-Victor and Maxime Ducamps. At the same Salon he exhibited the Egyptian chopping Straw, and Rembrandt biting an Etching, two very minutely finished works. Gérôme’s best paintings are of Eastern subjects; among these may be named the Turkish Prisoner and Turkish Butcher (1863); Prayer (1865); The Slave Market (1867); and The Harem out Driving (1869). He often illustrated history, as in Louis XIV. and Moliere (1863); The Reception of the Siamese Ambassadors at Fontainebleau (1865); and The Death of Marshal Ney (1868).

Gérôme was also successful as a sculptor; he executed, among other works; Omphale (1887), and the statue of the due d’Aumale which stands in front of the chateau of Chantilly (1899). His Bellona (1892), in ivory, metal, and precious stones, which was also exhibited in the Royal Academy of London, attracted great attention. The artist then began an interesting series of Conquerors, wrought in gold, silver and gems — Bonaparte entering Cairo (1897); Tamerlane (1898) and Frederick the Great (1899). Gérôme was elected member of the Institut in 1865. He died in 1904.

Source: Entry on the artist in the 1911 Edition Encyclopedia.