November 2008
Holiday Gifts at the ARC Store
6 November, 2008
 | ARC Store Fine Art Prints, Books and DVDs make your gift a special one. Take advantage of 10% Holiday Discounts at the ARC Store and bring art into the lives of the ones you love. Order from the Holiday Print List and get 15% Off |
Many Companies Will Match Your Donation to ARC
1 November, 2008
| We have recently found that many companies will match their employees' tax deductible contributions. The Foundation for the Art Renewal Center, a 501C3 Educational Foundation was founded in 1999 to present responsible opposing views to the modernist art establishment. www.artrenewal.org, is a free educational resource with over 65,000 images and an ever-expanding encyclopedic collection of essays, biographies and articles by top scholars in the field. and find out if your employer will match your donation to ARC OR Contact your human resources officer TODAY to give a matching gift in support of Foundation for the Art Renewal Center. |  |
Studo Talks By Artists About Artists at GCA
5 November, 2008
GCA's South Studio 4:00pm - 5:30pm Refreshments will be served Richard Cameron talks about THE NEOCLASSICAL DIVIDE Tuesday, November 18, 2008 rsvp: grandcentralacademy@gmail.com *Next in December: Patrick Connors on Eakins: Philadelphia School of Painting |  |
| Noted architect Richard Cameron will discuss the legacy of Stuart & Revett's seminal work, Antiquities of Athens and its important place in the debate over the 'neo-classical divide'-a debate that continues to influence classical work today. | |
| Grand Central Academy is an ARC Approved™ Atelier | |
Articles on Albert Goodwin
1 November, 2008
ARC is pleased to announce several articles on Albert Goodwin, a leading Victorian landscape painter, and protégé of John Ruskin (as was JMW Turner).
"for pure aesthetic delight an untouched sketch of Albert Goodwin's on the spot is better than any finished drawing."Click here to read 'Bogie and the Professor'.
--John Ruskin
'It is a great relief in an exhibition like this', wrote the art critic of The Spectator in his review of the RWS Winter Exhibition of 1881, 'which is mainly one of the disciplined skill exerted in somewhat commonplace directions, to turn to pictures like Mr. Goodwin's, wherein the poetic feeling is so strong as to make us forget the technical skill which the artist possesses'.