Giambologna

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Giambologna

19 artworks

Italian Mannerist sculptor

Born 1529 - Died 1608

  • Artworks
  • Biography
  • Images of the Artist
HD

Triton

1560-1570

Bronze

Metropolitan Museum of Art, Manhattan, United States

HD

The Rape of the Sabine Women

Bronze

57 cms | 22 1/4 ins

Rijksmuseum, Amsterdam, Netherlands

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Bathing Venus

16-17

Bronze

Metropolitan Museum of Art, Manhattan, United States

HD

Bull

circa 1580-circa 1600

Bronze

21.6 cms | 8 1/2 ins

Rijksmuseum, Amsterdam, Netherlands

HD

Horse

1587-91

Bronze

24.8 x 27.6 x 9.5 cms | 9 3/4 x 10 3/4 x 3 1/2 ins

Metropolitan Museum of Art, Manhattan, United States

Angel

1596

Bronze

20.6 x 13 x 13.3 cms | 8 x 5 x 5 ins

National Gallery of Australia, Parkes, Australia

HD

Hercules and Antaeus

1600

Bronze

40 cms | 15 1/2 ins

Rijksmuseum, Amsterdam, Netherlands

HD

Hercules and Nessus

1600

Bronze

52 cms | 20 1/4 ins

Rijksmuseum, Amsterdam, Netherlands

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Self Portrait of Giambologna

1600

Plaster

9 cms | 3 1/2 ins

Rijksmuseum, Amsterdam, Netherlands

HD

Self Portrait of Giambologna

1600

Bronze

9 cms | 3 1/2 ins

Rijksmuseum, Amsterdam, Netherlands

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Mode

BOLOGNA, GIOVANNI DA (1524-1608) [Italian for his real name, JEAN BOLOGNE or BOULLONGNE, J.], French sculptor, was born at Douai in 1524. His early training as a sculptor was conducted at Antwerp, but at the age of twenty-five he went to Italy and he settled in 1553 in Florence, where his best works still remain. His two most celebrated productions are the single bronze figure of Mercury, poised on one foot, resting on the head of a zephyr, as if in the act of springing into the air (in the Bargello gallery), and the marble group known as the Rape of the Sabines, which was executed for Francesco de Medici [1541–1587] and received this name, [Luigi] Lanzi [1732-1810] informs us, after it was finished. It is now in the Loggia de Lanzi of the ducal piazza. Giovanni was also employed at Genoa, where he executed various excellent works, chiefly in bronze. Most of his pieces are characterized by great spirit and elegance. His great fountain at Bologna (1563-1567) is remarkable for beauty of proportion.

Noteworthy also are his two fountains in the Boboli gardens, one completed in 1576 and the other in 1585. He also cast the fine bronze equestrian statue of Cosimo de Medici [1519-1574] at Florence and the very richly decorated west door of Pisa cathedral. One of Bologna's best works, a group of two nude figures fighting, is now lost. A fine copy in lead was at one time in the front quadrangle of Brasenose College, Oxford. In 1881 it was sold for old lead by the principal and fellows of the college, and was melted down by the plumber who bought it.

See La Vie et l'oeuvre de Jean Bologne, par Abel Des jardins, d'aprés les manuscrits recueillis par Foucques de Vagnonville (1883, numerous illustrations; list of works).

Source: Entry on the artist in the 1911 Edition Encyclopedia; additional information may be found in the Catholic Encyclopedia and the Wikipedia.